Sunday, February 14, 2010

Naggi Dredt, Part two

Finally, Hope reached the entrance. As she lifted her hand to knock, the massive door swung open, a gesturing night nymph welcoming her into the main hall with a nod. As the door shut, another nymph took her cloak and offered her some soft warm slippers. A third led her to a small nearby table with two surprisingly cozy chairs, set with refreshments. Relieved of her travel clothes, Hope felt a little bit of a chill, but otherwise the air in the room was comfortable. She was alone. Taking up one of the goblets, she sipped her wine and looked around.

And saw she was not alone.

A tall, robed figure was standing in a broad window bay. Its back was to her, dark folds of some thick fabric cascading to the floor. Starlight winked and sparkled as the figured stirred. The voice that spoke from within the hood was low, melodious. “I hope I did not startle you.” Hope took a deep, steady breath and set down her drink. She rose to her feet and bowed politely. “Phersu.” The ancient honorific came unbidden to her lips. Hope hesitated, then added, “Naggi Dredt is more beautiful than I ever imagined. Thank you for welcoming me.”


The figure turned, its face still hidden within the deep hood. “Most kind. I hope you will be comfortable during your stay. You are young Maj Hope. I have looked forward to meeting you, as well.” Hope tensed and waited, preparing for her first look at Morzul’s face. But the regal figure moved from the window bay without revealing its face and glided toward the table, pausing first to gesture casually to the volcanic rocks in the grate. Instantly, they began to glow, and Hope felt the air grow warmer. Morzul came to a halt in front of the companion chair. “Please, sit down.” As Hope sat again, Morzul took the other chair, hir robes settling easily, magically. They sat silently for a long moment. Gracefully, s/he reached a hand out for the other goblet. The sleeve fell back a little, just enough for Hope to catch her first glimpse of Morzul’s blue-black skin. Her breath caught in her throat. She willed herself to relax. Perhaps Morzul was giving her time to adjust.


“Why have you come to Naggi Dredt?”


Hope answered slowly, simply. “Every map I have looked at shows a path through your domain, or the domain of someone under your influence. Every path takes me through an experience of fear. I want to know more about my fear, about all fear. I believe that only you can guide me through the next part of my journey.”


Morzul nodded slowly, as if satisfied with Hope’s response. Then s/he asked, “Are you afraid of me?”


Hope answered honestly. “The stories about you, about this place, are fear-inspiring, yes. Before now, that was enough to keep me away.” She swallowed. “I don’t know if I am strong enough yet, but my desire to clear away the old ways of thinking and being is – strong.” She faltered a bit, at that. How strong could her desire be, if it could not conquer her fears? But then, that was why she had come, wasn’t it? And she had made it this far.


Morzul took a sip from hir goblet, and then set it down. “Many seek Naggi Dredt to conquer their fear of me. You seek to conquer your fear of fear itself.” S/he paused, and then Hope thought she heard a smile in Morzul’s voice. “You’ve come to the right place.”


“Hope, you really don’t know why you have come to Naggi Dredt. You think you do; you think it has something to do with facing up to me. That’s what Rhianna told you – or did she? How much of what you believe is based on what you know from your own experience, and how much of it is based on myths and legends about what happened in the past?”


“I have no experience of you before now, so what I’ve learned about you is what I’ve been told. By people I trust – “


“People you trust? You trust them because they raised you from birth, saw to it that you had the best possible education. You trust your life to them, yes. But what of your mind? Your destiny? What if I told you that what they’ve told you about me is itself based on fear – not of me, personally, but of what I represent…”


“Do you deny that you represent the forces of the Adversary?”


“The Adversary is a concept, my dear, not an entity. A nursery-school version of a force that is in truth too vast for most sentient beings to comprehend. Allow me to tell you my story myself…


I am an hermanthropomorph – Chiron and I are the only ones among the morofehu that carry both gender qualities in the expression of our, ah, attributes. There is a reason for that: the experiences of fear and of pain can be active or passive, assertive or complacent, aggressive or compliant. What they didn’t tell you (because they didn’t know) is that that is the reason that I wasn’t horribly disfigured by my experience with the mask. Instead of becoming terribly ugly, I became terribly beautiful. They cannot possible know that the two states are mirrors of each other…only a hermanthropomorph could have met the power of the mask and transmuted it…”


“Only one presumptuous enough to violate the protocols would have had to.”


"Touché. But at the time, that presumption was based on my own experience, not legends or myths, or runic passages in a book. Like you, I have always felt a certain amount of skepticism about practices from the past. Oh yes, I know quite well that you have embarked on this journey because you felt obliged to do so. Because your Map said you should. Because Rhianna and D’Arlenn said that you must. Because tradition says that you cannot proceed with your life until you do. As a matter of fact, you and I have more in common than you realize. And that, my dear, is the real reason why you are here.”


"I don’t understand.”


“You, too, can see more than most beings can see. You have the potential to be the instrument of an oracle, as I was. In fact, you have the potential to construct your own oracle. And you can be corrupted by that potential. That is what you must conquer. You must conquer your corruptibility.”


“Insight, foresight, even hindsight are aspects of the basic sense of sight. All sentient beings possess these additional aspects in latency. In you, these aspects are already fully active. You are learning to use them, but you must be trained properly in order to use them well. But even more, you must learn discipline. The ego can be a powerful ally. It is because of the ego that one’s gifts can be recognized and developed. It is through the ego that one can be corrupted.


“I petitioned to be allowed to come to Gaia because I had seen that there was a strong need for my services here…”


“Your services? As the instrument of an oracle?”


“I misinterpreted what I saw as a call to leadership. When I was (here Morzul hesitated ever so slightly) punished by the Phersu, I realized that the need was still a real one, but that it must be met in a different way. My leadership here must take the form of mastery training.


“I no longer need an oracle. Neither do you. What we are able to see on our own extends far beyond what the others are capable of seeing, with or without an oracle. I am the only one who can help you develop your full potential.”


“You?”


“Rhianna cannot help you. She is encumbered by history. Her sight is clouded by her memories, her experience, of what was. Sidus? He is encumbered by impatience. Stillwater? By his visions. Galateon? He has seen so much for so long he is encumbered by possibility.”


“What about Chiron, your brother?”


Morzul is silent for a moment. “My brother is encumbered by…pain.”


“Pain he endures because he acted to save you! It is your pain he endures now.”


“Another myth, grown from another legend, which grew out of a version of history written by others.”


“You are cloaked in that myth. A cloak that enabled you to survive the fury of the mask. His blindness is no myth!”


“Perhaps you should speak directly with Chiron about why he suffers a loss of sight. In fact, I invite you to ask all of them about what I have said to you.” A pause. “And pay close attention to what they say. And what they don’t say.” And then Morzul was up, gliding away up the short flight of steps to the window bay. “A willing student is a good student. You are welcome at Naggi Dredt. Come again, anytime.”


“May I ask you a question?” Hope came to her feet. Morzul turned around, and the voluminous robes swirled open. “Yes?”


The blackness within those robes was complete. Hope’s vision was lost in that black fullness – she was enveloped by it, but she pressed on with her question. “What about the Eye? Is it true, what is said? That you will be destroyed if it is ever found and opened?”


The blackness began to fade, to melt into the walls and the draperies that were now visible through the vision. Morzul’s voice was a whisper, yet it seemed to Hope that it filled the room. “Let me ask you a question. What if you really are the only one that can open the Eye? Are you prepared for the consequences of heroic action? I thought I was. And you see what happened to me. What you choose to do will forever direct your path. I offer the wisdom of experience, my dear. Step carefully.”


Hope’s eyes searched the place where the hood had been. Starlight began to sparkle faintly, and the outline of the trees through the windows began to take shape. Hope moved toward the apparition, opening to the Sight, deepening her perception. Just one glimpse, please.


She felt a swooping sensation, and then Morzul’s eyes were looking directly at her. For less than half a heartbeat, Hope saw that terrible, beautiful face.


And then she woke up.
© 2009 by Audysseon Publications. All rights strictly reserved.




Wednesday, February 3, 2010

Naggi Dredt, Part One


Hope knew the instant that she crossed into Morzul’s domain. The forest road grew denser and darker, the trees ever taller and closer together, until the blackness around her was cool and complete.

She reached a ridge overlooking a clearing in the forest. The night sky stood clear of tree boughs for a far enough stretch that entire constellations burned with diamond brightness far above them. Away in the center of the distance Hope could see an outline of a mansion. Naggi Dredt – Morzul’s domicile. No one she knew personally had made it this far, let alone venturing on this path at all. She felt a coldness reach into her bones as she proceeded along the only road in evidence. It was narrow and wandered around the shrubs and stumps and oddly piled boulders that dotted the moonless landscape. Naggi Dredt was never out of sight.

After a while she detected a feeling of weariness. Naggi Dredt looked no closer than it had hours before. Her feet began to drag. A sudden stiff breeze caught her off guard, and she faltered. Instantly, the mansion seemed to move farther away – or perhaps she was moving backwards. A pang of despair came, and the mansion seemed to blur and fade into the black trees standing sentinel in a giant ring around the dark, mysterious meadow. Hope stopped still, setting down her pack. Hold everything, she told herself.

She inhaled the electric-cool air, held it, savored it. Relaxing into the chill, she found her center, and allowed herself to become fully quiet. She rested her soul in the silence for a long moment, gathering her energy and narrowing her focus. Judgments and opinions chittered along the edge of her awareness, but she chose to ignore them. Instead, she fixed her mind on her mission and called up the information she had about the being known as Morzul.

A conversation came to mind – one that she had once had with the Crone. “Morzul’s domicile is known as Naggi Dredt. It is wrapped up in a spell of awe and mystery to keep the sahu away, because s/he is so unusual to look at.” The Crone’s tone was conversational, her hands busy with yarnwork as the two sat in front of her fire. “If you every find your way into Morzul’s domain, you need to remember that. Morzul’s spell is a shield, nothing more.”

Hope was instantly intrigued. “What does Morzul really look like? Is it really so terrible?”

The Crone put her work aside and looked at Hope. “Terrible enough.” Hope leaned forward, listening. “Morzul is excruciatingly beautiful, first of all. Some have said s/he is the most beautiful hermat ever seen. Hir beauty rivals Regina’s, easily. It can take your breath away. A being made of cosmic night. Locks, skin, eyes, teeth, everything – blue-black.” The Crone’s voice sang a talespinner’s song. “With a velvet voice, clear and strong; even in a whisper; s/he can fill the entire Dark forest with hir command.

“Taller than everyone, always, no matter who is there. Hooded and robed in dusky starlight, always, to hide an exquisite figure. Morzul is so beautiful that being in hir revealed presence can actually be dangerous. So to avoid complications, Morzul covers hirself from those who can be easily blinded.”

Now, standing on the outskirts of Naggi Dredt, Hope tried to envision a being of terrible beauty whose every feature was black as night sky, and whose robes sparkled darkly with starlight. A shiver of anticipation passed through her…

…and the distant homestead grew larger and more distinct. Hope began walking again, her eyes taking in more and more detail as the outer buildings of the homestead came into view. She kept her breath deep and even as she walked, allowing her opinions and judgments to fade away as often as they surfaced. Details of the landscape became more noticeable. Shrubs and grasses spread a thick carpet woven with shades of black and grey across the meadow before her. Up close, the forest fence was tinged with deep greens and indigos. There were silvery pebbles in the road that glinted in the starlight, and Hope detected the fragrance of flowers that bloom at night.

Finally, Hope reached the entrance. As she lifted her hand to knock, the massive door swung open, a gesturing night nymph welcoming her into the main hall with a nod. As the door shut, another nymph took her cloak and offered her some soft warm slippers. A third led her to a small nearby table with two surprisingly cozy chairs, set with refreshments. Relieved of her travel clothes, Hope felt a little bit of a chill, but otherwise the air in the room was comfortable. She was alone. Taking up one of the goblets, she sipped her wine and looked around.

And saw she was not alone.

© 2009 by Audysseon Publications. All rights strictly reserved.

Tuesday, December 22, 2009

Battle Stains

Battle Stains
An excerpt from The Road of Trials
By Berkeley Price


We sit, D’Yanna and I.


“So,” she says. “Tell me about your prey.”


I describe the devastation of groups and communities. I speak of the scarred landscape, and of once-beautiful places now befouled, spoiled, avoided.


“What does it look like, this creature? Where does it live?”


The question puzzles me, coming from her. I am here, at The Hide, because of where my Journey has brought me. I am here, in fact, because the time has come for me to actually engage my adversary. I am sure D'Yanna has heard of it, seen it even. But, of course, her questions must be part of my preparation, I realize. This is like an exam. I pause, sipping from my cup as I consider my answer.


Vague images of ruthlessness and disregard swirl over the mires of knotted emotions inside me. It is as if this entity, this mass of “challenges” and “opportunities” is pumping out waves of psychic static. Queasy, I can barely look upon it. When I do, my vision seems blurred, as if everything is zigzagging in front of my eyes. It is dragon-like, my quarry, a huge reptilian creature exuding billows of steamy fumes and acidic heat. I can see it, with my mind’s eye, in a cavernous place.


I have tracked it here; I know it roams the Shadowlands. Until a week ago or so, I was sure it was coiled near Vesta’s Keep, in Nyssa Valley. Many signs and clues point in that direction, so I know that there is work for me to do there. But I am here, now, in Greenwood at The Hide. D’Yanna has consented to teach me how to track and hunt. I am grateful; I need her help badly. My fear is very present; very, very close to the surface. The creature is nearby, somewhere. It is not where or what I thought it would be. And because of that, I am no longer as sure of what it is I must do. I was nearly ambushed. It is a different sort of adversary, now. I’m not sure how to approach it, now.


She cuts across my thoughts. “Steady your breathing.” Her eyes hold me for a brief moment. “You allow this creature to disrupt your rhythm. “ She takes a sip from her cup. “Go on. Tell me about where it lives.”


I take a few more breaths before I continue. The waves of mind-numbing static recede a bit. The queasiness subsides. “I only know that it’s somewhere near us, here. I thought it was in the valley, but now I think it’s up here in the hills. I think it knows I’m here, too. It waits for me in some sort of cavern.” I must be scowling.


She pauses, then: “Do you like this thing you’re going after? Breathe.” Mentally, I stumble a bit. The waves recede a little more. I take a deep breath, and gently stretch my neck. “I never thought about it like that. No. I don’t like this. I don’t like it at all. This is a chore; a thing I have to do that requires discipline because it isn’t easy for me.”


“And you don’t like that.”


“I don’t like being afraid like this; where I can’t think properly, and so I make wrong choices, and then I have to wade through the messes I’ve made.” I can feel the warmth of my anger starting to rise. The wave is barely palpable, now.


She shrugs. “So, you begin to watch where you are going, and you begin to take your time so you don’t make a mess.” Her eyes reach out again. “That doesn’t need to have anything to do with how you relate to the creature, to the idea of it.”


There is a pause in the static, as if my adversary, too, is listening intently. D’Yanna is Saying Something here. “The circumstances don’t change the fact that the creature is part of The Territory. It has a right to be here. You have called it forth, in fact.” A thought flashes by: the creature is part of you. If you love yourself fully…” Before I can finish the thought, it is shot down in burst of emotional static.


Then, another thought flashes by: perhaps there are two battles to be fought. Or, the battle is being fought on two fronts. Maati? Yin and yang? Maybe. One struggle might just be about changing habits. The other may have to do with taking a giant step forward for Spirit. There is something else, too. Something that has come up in the last few days.


Forgiveness. “Forgiveness is the beacon that leads us into Grace.” And, “As I forgive myself for my past, I find that I have nothing to atone for…” I’m not sure I even know how to do that – forgive myself, I mean. So, then, how can I possibly forgive anyone else? Really? Is this what the battle is about? Who, then, is my prey? Myself, of course.
I see myself, stumbling up a road; struggling, slap-stick, with a miasma of “issues”. I begin to chuckle. Then, in my mind, the miasma gels and hardens into heavy, dark things that bump and drag behind me, things I haven’t forgiven myself for, yet. My chuckles fade. How can I fight bravely and well, with all this junk hanging off of me? The static fizzles and buzzes at the edge of my awareness. A lump is forming in my throat.


“What are its attributes? What do you admire about it? What could you write songs about?” D’Yanna brings me back to the creature with a start.


“Write songs?”


Her eyes glow for a moment. “Every great hunt has a great story that goes with it -- a strong Medicine story, one that inspires poetic phrases that sing when you speak them.” She looks around, and I can see what she sees: faces in firelight, bundled against the night and the darkness around them, listening with faraway eyes. “Great battles are waged between great adversaries. When they make it a noble encounter, all who hear of it find benefit.” The image fades, and she turns to me. “Tell me your story. Is this a noble encounter?”


I telescope backwards along the timestream, looking at the Journey. I started out in a matter-of-fact way, and I mostly traveled in the same manner. Yet, the emotional storms have been considerable ones; it may be that the climate itself provided my real battleground and my real foes.


The concept of noble combat casts an entirely different light on my efforts. Raises the tone, so to speak. Refines the atmosphere, clears the air. I keep thinking of Klingons, and their preoccupation with what is worthy of a true warrior. They live to die an honorable death. And yes, to them, the height of honor is to be remembered in song.


The static is barely perceptible now; the wave frequency has slowed so. The creature has uncoiled, and has cooled its hide down from a frenzy of red-gold to a cool, elegant silver-green. I can see its eyes now, huge and liquid copper. It watches, waiting, intrigued. No need for all the fabled weaponry, eh? We are taking a new approach, you and I? Is this to be a battle of wits? So be it. It inclines its beautiful head slightly, in assent. The static stops, completely.


I realize that I’ve been holding my breath. I let it out, slowly, and nod back. The creature gives me one last, direct glance. It pierces straight into my heart, touching the icy fear-place. I feel a momentary shiver of terror, and then, nothing. Not even a hint of static.
The cavern is yawning, empty. The creature has gone, for now.


D’Yanna has one last question. “Do you know your creature’s name?”


I shake my head, bemused. Resentment and fear, forgiveness and honor. Two battles, maybe, fought in a mind-numbing emotional landscape. Name it, know it. The concepts tumble around in my head.


Distractedly, I glance down. To my shock, my clothes are torn and battle stained, and there are scratches and bruises on my arms and legs. I jump as D’Yanna swabs my forehead with a cold, wet cloth. It stings; there must be a scrape or cut there. “What’s happened?” I feel dazed, confused all of a sudden. She shook her head. “You’ve been in battle with this creature for many days. The beast has backed away, for now, so you can rest and heal.” She stands aside, allowing me to get to my feet. “Until the next bout.”


I breathe deeply, loosening the toxins clenched in my muscles. Thirsty, I head for the waterspout to get a long, cool drink of water. Sipping, I whisper a prayer for clarity and insight.


“This is an incredibly beautiful story,” D’Yanna observes from the doorway. She has a change of clothes for me, over her arm. She smiles. “I’m honored to be a part of your Journey at this particular time.” She hands over her armload. “Speaking of that, you’ll have plenty of time to regain your strength. All the time that you need. So, take it, please. Take care of yourself.”


“What if the creature --“


“Whenever it comes back, you’ll be ready.” I look at her, dubiously. “Honestly. You will.” Encircling me with a strong arm, she turns me toward the washroom. “Your opponent is an honorable creature. The creature will only fight on your terms. It has no terms to set. In fact, it has no power.” My mouth drops open; this is too bald a truth, even for me. Her statement begs a response. I grab a breath to speak.


D’Yanna presses a finger to my lips, silencing me. “There is a time for telling this story, but this isn’t it. Go.” With a flourish, she points down the hall.


I go off to wash away my battle stains. Behind me, I hear D’Yanna’s voice, softly. “Next time, ask the creature what her name is.”▪

© 2009 by Audessey Publications. All rights reserved.

Sunday, December 20, 2009

Lapis Chronicle: Sixth Telling

Set In Stone: The Lapis Chronicle
A New Mythology


Sixth Telling: The Philosopher’s Stone


Before too long, we come upon Sir Isaac. He is holding up a picture frame, the size of window. He is beckoning us to come and peer through it. At first we look at him askance. From where we are standing, we can look back at all that we now know, and around us at what we want to know next, and through the window to what little we knew before. And he is beckoning us, not to merely gaze, but to pass back through. What possible benefit can there be to returning to our previous ways of thinking? But we advance anyway and widen our gaze -- it is an open door! Now we are perplexed. This is not a joke; this man is sincere. We can also see though the portal that there are others who have preceded us, so passing back through it is apparently not unusual; it has been done. Looking around, we see others nearby who are content with their own new perspectives but are also watching to see what we do next. Farther away, a group stands scoffing that it is not necessary for anyone to pass back through that doorway; we are being duped. Still farther away, a few are insisting that, for that matter, there really is no door at all. You answer, “The Realm of Probability.” Sir Isaac asks, “Where does this portal open to?” I answer, “The Realm of Possibility”. Sir Isaac asks, “Where do you stand now?” We answer him, finally, “Put aside all that you carry with you, and you can pass back through with ease.” He replies, “What must you do to pass back through the portal?” And, we did. So, we did.▪
© 2009 by Audyssey Publications. All Rights Reserved.

Lapis Chronicle: Fifth Telling

Set In Stone: The Lapis Chronicle
A New Mythology

Editor’s Comment: One of the gifts of chaos is the reassurance that all possibilities are contained within it; we are shielded from its brilliance by darkness; we cannot interfere with its mystery because it proceeds according to disorder, which is often difficult for us to comprehend.tm


Fifth Telling: Chrysalis


Before too long, we arrive at the Gate of the Gifts of Chaos, which opens into the Threshold between What Is and What Could Be.


The Threshold Guardian of that gate turns to us and awaits our three answers.


We say, “All possibilities are contained within darkness and chaos; even chaos has structure at its highest level.” We await the question. The Threshold Guardian says, “What are the Gifts of Chaos?”


We offer our next answer. “Approach Chaos without expectations; preconceptions based on probability must dissolve, in order to allow outcomes based on possibility to occur.” The Threshold Guardian responds, “How shall we approach Chaos?”


We say, finally, “Order is ideal, and regularity is the goal. Chaos is a state of being that must be endured, not aspired to.” The question comes. “How has Chaos been misunderstood?” 

The Threshold Guardian then stands aside and lets us pass.▪


© 2009 by Audyssey Publications. All Rights Reserved.

Lapis Chronicle: Fourth Telling

Set In Stone: The Lapis Chronicle
A New Mythology


Fourth Telling: Puzzle Pieces


Before too long, an Adult is busy doing something that adults do, while a Child is in an adjacent area, putting a jigsaw puzzle together. After a while, the Child calls out for praise; she has assembled the puzzle. Dutifully, the adult responds with the right phrases, and, satisfied, the Child turns the puzzle out of its tray and scrambles the pieces, prepared to do it all again. The Adult returns to her busyness; the Child returns to her puzzling. Time passes. The Adult is alert for a new call for praise, but it does not come. The sound of the puzzle tray emptying onto the table is heard. More time passes. Now it is the Adult who is the one calling out, this time for reassurance from the Child that neither help nor praise is needed. The Child reassures the Adult that all is well. More time passes; the Adult is now busy listening. Now the sound of the puzzle tray and its pieces hitting the floor is heard. The Adult immediately goes to the Child and asks questions. “Why have you dropped the puzzle on the floor? Are you upset? Do you want me to help you?” The Child answers calmly, in reverse order. “I do not need help. I am not upset, I am (here she giggled, briefly) puzzled. I want to change the way the pieces come together, so I dropped the puzzle, to confuse them, so they might forget.” Now it is the Adult who is confused. The Child continues. “I figured the puzzle out the very first time; now, I want it to change. When we want things to change, we take them all apart and put them together differently, over and over. Why should a puzzle be any different?” And the Child gathers up the pieces of the puzzle and its tray and begins to assemble the puzzle yet again…▪
© 2009 by Audyssey Publications. All Rights Reserved.

Lapis Chronicle: Third Telling



Set In Stone:  The Lapis Chronicle
A New Mythology

Third Telling: What Goes Around Comes Around

Before too long, the Seeker presents herself to her Mentor, and asks about the difference between loops, spirals and cycles.

The Mentor asks, “What do you already know?”

The Seeker answers, “There is a saying I grew up with: ‘What goes around, comes around.’ In my thoughts, that saying relates to the most simplified definition of karma; what you put forth comes back magnified.”

“Do you believe that?”

“Generally, yes, but what comes back is never exactly what one puts forth. It’s not a cycle, or a spiral, so it must be a kind of loop.”

“So, what do you think a loop is?”

“A loop happens when an event in a string of events echoes something that happened earlier. If it happens often enough, you might look for a pattern. If all the events are echoes, it might be a cycle.”

“Then, what do you think a cycle is?”

The Seeker begins to realize that she is answering her own question. “Cycles are strings of events that have a beginning and an end, and never stop. The end of one cycle sets up the beginning of the next.”

“Are cycles always the same?”

“Not exactly,” the Seeker answers. “But there are things about them that are similar enough to other cycles that you know what they probably are; for instance, the cold rain today means that it’s probably the winter season now, and spring will be next.”

“What do you think a spiral is?” the Mentor asks.

The Seeker answers. “A spiral is a cycle that loops but ends at a different level than before. Loops revolve; spirals evolve or devolve.”

“Can loops, cycles and spirals move from Probabilities to Possibilities? Can they become something different? Think of crystals, butterflies and fingerprints. They are generally cyclical but individually unique. What is important is what they show us, not what we call them.”

At that moment, a butterfly flits by. “Ah!” the Mentor exclaims. “The Lorenz butterfly – not rare at all, but always unique…”
   
© 2009 by AudysseyPublications.  All Rights Reserved.

Lapis Chronicle: Second Telling

Set In Stone: The Lapis Chronicle
A New Mythology


Second Telling: The Reflecting Pool

Before too long, we realize that a good question holds more treasures than its answer. We learn that when we invite more people to ask more good questions, we are rewarded with more good answers that generate still more good questions. So we decide to start with a good answer, and see what good questions can be asked about it. Our answer is “The elephant in the room.” We give it to three people, who have three very different ways of perceiving the world: one who can only see what he feels, another who can only feel what she sees, and a third person who always stays open for more information. The one-who-only–sees-what-he-feels asks, “What is making a mockery of our visions?” The one-who-only-feels-what–she-sees asks, “What is making a mockery of our deeds?” The one-who-always-stays-open-for-more-information asks, “What have we forgotten to consider?”▪
© 2009 by Audyssey Publications. All Rights Reserved.

Lapis Chronicle: First Telling


Set In Stone:  The Lapis Chronicle
A New Mythology
 First Telling: Picture Frame
Before too long, we come upon Sir Isaac. He is holding up a tiny picture frame, no bigger than a postage stamp. He is beckoning us to come and peer through it. At first we look at him askance. From where we are standing, we can look back at what little we knew, and around us at all that we now know, and ahead to what we want to know next. What possible benefit can there be to squinting through a tiny frame? But we advance anyway and bend our gaze…and see that it is not a picture frame; it is an open door! And still he beckons us, not to merely peer, but to pass through. Now we are perplexed. This is not a joke; this man is sincere. We can also see though the tiny portal that there are others who have preceded us, so passing through it is apparently not impossible; it has been done. Looking around, there are others nearby who are content with their own perplexity but are also watching to see what we do next. Farther away, a group stands scoffing that it is not possible for anyone to pass through that tiny aperture; we are being duped. Still farther away, a few are insisting that, for that matter, there really is no door at all. You ask, “Where does this portal open to?” Sir Isaac answers, “The Realm of Possibility”. I ask, “Where do we stand now?” Sir Isaac answers, “The Realm of Probability.” We ask him, finally, “What must we do to pass through the portal?” He replies, “Put aside all that you carry with you, and you can pass through with ease.” So, we did. And, we did.▪



© 2009 by Audyssey Publications. All Rights Reserved.

Lapis Chronicle; Introduction

Set In Stone: The Lapis Chronicle
A New Mythology

Introduction


Not “once upon a time", but "before too long”. 

That is how the chapters of the Lapis Chronicle begin. These are not long-ago stories; these are written in future present tense. What’s more, they are written to be told, to be shared in conversation; not only to be read alone, or read aloud. They are tellings, filled with bites of truth for one to savor, peppered here and there with questions that stop you and make you want to rest in thought for a bit before you move on to the next morsel. It is said that they become richer and more healing with each telling in a family or among friends or co-workers.
Some are sure that the Lapis Chronicle is a rumor started along the social network, and was never a real document that was discovered or posted. Because it is difficult to document, to these people the Lapis Chronicle is invalid. Others are wary and suspicious of it because the tellings are not really connected to anyone’s history, nor mentioned in the sacred texts written in anyone’s past.
To many people, though, the Lapis Chronicle is refreshing; a common report is that the tellings seem to have a clarifying effect on one’s thinking. These tellings are not fear-mongering, or narrow-minded; they are not blaming, or cynical. They are neither determinedly cheerful (so deliberately upbeat that you look for a catch), nor are they condescending towards people who tend to ask questions of others more often than they use an internet search engine. They are neither old, nor are they new.
There are six tellings in all: Picture Frame; Reflecting Pool; What Goes Around, Comes Around; Puzzle Pieces; Chrysalis; and The Philosopher’s Stone. They are recalled and presented here in a format that seeks to be compatible to both kitchen table conversation and intellectual forums.
If any amount of dialogue is sparked by this publishing of the Lapis Chronicle, it cannot help but be a good thing. If we don’t keep talking now, when would be a better time?▪


Teryl McGriff
Oakland, California

© 2009 by Audyssey Publications. All Rights Reserved.